Ujam Full Bundle: The Collector’s Edition Plug-In Collection

AMBER 2 plays with the feel of a studio vet—the kind that takes 1000s of hours of practice. With a frustration-free design, you’re guaranteed to get results in only a few seconds.

Virtual Guitarist AMBER 2 was recorded with carefully selected microphones to get the best possible sound variety. Just like its celebrated physical counterparts, AMBER 2 is a versatile instrument with an on-demand session player offering 30 different styles containing over 350 phrases for instant gratification when composing.

The source material of Virtual Guitarist AMBER has been recorded with both a microphone and a pickup mounted on the guitar. The SOURCE selector lets you choose between four different selections of those two signals: 

• Mic: a vintage large-membrane studio condenser mic positioned about 1′ from the neck/bridge intersection. The Mic signal features strong bass and treble and is the typical sound character and preferred choice in most cases.
• Pickup: a pickup mounted on the guitar. The Pickup setting sounds drier, more compact, and direct. It is more mid-oriented and lacks the low end and high sparkle of the Mic signal.
• Mix: best of both worlds, delivering a mono mix of Mic and Pickup, and therefore thicker than the Mic signal alone. More low end and sparkle than the Pickup signal.
• Split L/R: this outputs the Mic signal on the left channel and the Pickup signal on the right channel. You can use this to route and treat each signal individually in your DAW mixer, or to create a stereo effect without using Doubling or a second instance.

The Shimmer knob adds silvery high end to the signal, making the guitar shimmer or sparkle even more. This is particularly useful when you use Virtual Guitarist AMBER 2 as support for hi-hat and other high-frequency rhythmic instruments, as is often the case in pop/rock productions.

Try the fully functional AMBER 2 demo completely free for 30 days.

Listen to demo tracks made with Usynth GLAM, and get inspired for your next production.

GLAM gives you the pristine sheen that only money can buy, from home. Sound bigger than you ever thought you could with its built-in multi-effect Finisher.

Usynth features a built-in delay unit that’s simple to set up yet superflexible. Instead of a dozen parameters to set, simple and complex delay configurations are already prepared. All you have to do is select a delay preset and adjust Mix and Feedback controls.

Looking for inspiration? Roll the dice and Usynth will change any setting to a new randomvalue. 

Go setting by setting or change them all at once. You can even dial in the amount of randomness for a subtle variation or a wild switch up.

Take control of beautiful timbral evolutions with only one knob. Usynth is masterfully programmed to engage new oscillators and change multiple filter settings as you move the dial, so you can sound like a synth-wizard with a single click.

Think its time for you to have a synth that speaks to the masses but unsure if you should pull the trigger? You can try Usynth for 30 days for free before buying.

Virtual Guitarist SPARKLE 2 is your session specialist for chords, octaves, and single-note electric guitar riffs. A true team player that doesn’t hog the limelight, supporting your songs with just the right amount of swagger and style.

Virtual Guitarist SPARKLE 2 is based on a customized vintage guitar utilizing its single-coil pickups to get that legendary and timeless bell-like sound. Just like its celebrated physical counterparts, SPARKLE 2 is a versatile instrument, with 30 different styles containing over 350 phrases for instant gratification when composing.

• Choose from 30 stompbox combinations. These FX are before the amp, meaning that the amp and speaker section will dynamically react to your input
• Select between bridge or neck pickups, and pickup character (fat, soft, bite, and twang)
• Adjust tuning and variance settings
• Switch between six amp settings: Direct, Clean, Cream, Crunch, Crisp, and Crush
• Adjust drive level between 0 and 100
• Activate width simulation
• And much more

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 Mix Presets, optimized for classic drum machines and grooves.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 Mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• Carve out the mids, crank the sub, and add shimmer to the highs all at once, straight into a slammed compressor for maximum impact. You can also set the control negative for a tight midrange knock.

• The Master Section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through Individual Outputs.
• It offers one-knob saturation, a loudness maximizer, an Ambience selector, Sweep dual filter, a Maximizer, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano roll integration: The names of styles and drum-elements are displayed on the keys of your piano roll to help you find the right styles and drums faster and easier for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 20 Styles and 460 patterns with intro, verse, chorus, fill, and ending
• 10 drum kits with 16 instruments each
• 12 Mix presets with Beat Intensity
• Special control: Sweetener
• Master section for sound processing Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 mix presets optimized for hip-hop beat production.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• Turn the Squish & Devastate bidirectional slider down towards Squish to use multiband compression and transient design.
• If you want a rather deformed and electrified sound, turn it up towards Devastate and use multiband distortion to shape the frequencies to your liking.
• Perfect for distinguishing the vibe between verse and chorus.

• The Master Section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through individual outputs.
• One-knob saturation, a loudness maximizer, an smbience selector, a sweep control for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels in your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you quickly and easily find the right styles and drums for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 20 styles and 460 patterns with intro, verse, chorus, fill, and ending
• 10 drum kits with 16 instruments each
• 12 mix presets with Beat Intensity
• Special control: Squish & Devastate
• Master section for sound processing
• Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 mix presets optimized for creating Latin pop grooves.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• Turning the slider up will increase the stereo width, in case you want to give your beat a bit more space in the mix. It also boosts the low frequencies and decreases high frequencies.
• Pulling the slider downwards does the opposite and also boosts the mids—try it both ways.

• The Master Section processes the stereo output of Beatmaker excluding the instruments you’ve sent through individual outputs.
• Enjoy one-knob saturation, a loudness maximizer, an ambience selector, a sweep control for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you find the right styles and drums quickly and easily for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 20 different styles with 23 ready-made patterns for a total of 460 different rhythmical patterns for instant song intros, fills, verses, choruses, breakdowns, and endings
• 10 drum kits with 16 drum instruments each
• 50 presets with complete Beatmaker setups
• 12 mix presets with Beat Intensity
• Special control: Me Gusta
• Master section for sound processing
• Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 mix presets optimized for creating stadium-sized beats.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• With a single knob, you control a combined high-pass filter, reverb, and subtle delay—perfect for creating high-impact builds without the need for multiple automation lanes. This pushes your drums into the background in a way that a simple filter never could, setting you up for a much stronger chorus or drop.

• The Master section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through individual outputs.
• It offers one-knob saturation, a loudness maximizer, an ambience selector, a sweep control for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano roll integration: The names of styles and drum-elements are displayed on the keys of your piano roll to help you find the right styles and drums faster and easier for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 20 different styles and 460 patterns containing different rhythmical patterns for instant song intros, fills, verses, choruses, breakdowns, and endings
• 10 drum kits with hard-hitting kicks and processed hi-hats
• 50 presets with complete Beatmaker setups
• 12 mix presets with Beat Intensity
• Special control: Riser
• Master section for sound processing
• Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 mix presets optimized for EDM, big room, and rave production.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• Vinyl Drive simulates retro turntable noise and compression to add retro dirt and punch.

• The Master section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through individual outputs.
• It offers one-knob saturation, a loudness maximizer, an ambience selector, a sweep for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you find the right styles and drums faster and easier for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 50 different styles containing 1180 different rhythmical phrases for instant song intros, fills, verses, choruses, breakdowns, and endings
• 10 drum kits
• 12 mix presets with Beat Intensity
• Special control: Vinyl Drive
• Master section for sound processing phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 mix presets optimized for creating stadium-sized beats.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• The proprietary Sweetness control shapes huge sounds with the help of multiband compression and a transient designer, so the drums cut through the mix.

• The Master Section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through individual outputs.
• It offers one-knob saturation, a loudness maximizer, an ambience selector, sweep control for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you find the right styles and drums quickly and easily for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 20 different styles with 23 patterns for a total of 460 different rhythmical patterns for instant song intros, fills, verses, choruses, breakdowns, and endings
• 10 drum kits with 16 drum instruments each
• 50 presets with complete Beatmaker setups
• 12 mix presets with Beat Intensity
• Special control: Sweetness
• Master section for sound processing
• Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel and Apple Silicon Macs (Rosetta and native)

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 mix presets optimized for hip-hop beat production.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• A tuned bass is an essential element in Beatmaker Hustle beats. The BassTune control lets you tune the bass across an octave from D0 to D1.

• The Master Section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through Individual Outputs.
• It offers one-knob saturation, a loudness maximizer, an Ambience selector, a sweep control for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels in your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you quickly and easily find the right styles and drums for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 40 different styles containing different rhythmical patterns for instant song intros, fills, verses, choruses, breakdowns, and endings
• Beats inspired by Roland TR-808
• 12 mix presets with Beat Intensity
• Special control: Kick Pump
• Master section for sound processing
• Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

• GLORY is the virtual beat maker for all kinds of trap and modern hip-hop. Where heavy tuned 808 kick drums meet frantic hi-hats, the drum sounds of GLORY are gritty and heavy. They can cut through a mix and provide plenty of bass. However they’re carefully sound designed to give you that fully produced sound right out of the box.

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 mix presets, optimized for classic drum machines and grooves.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• A tuned bass drum is an essential element in Beatmaker GLORY’s beats. The BassTune control lets you tune kick drums across an octave from D0 to D1.

• Microtiming lets you control the speed and timing of your beats. Dial in the tempo of your host from half, to normal, to double speed.

• The Master Section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through Individual Outputs.
• It offers one-knob saturation, a loudness maximizer, an Ambience selector, a sweep control for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAW’s mixer.

• Exclusive Studio One (v4.6.2 or later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you find the right styles and drums faster and easier for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 20 styles and 460 patterns with intro, verse, chorus, fill, and ending
• 10 drum kits with 16 instruments each
• 12 mix presets with Beat Intensity
• Special control: Bass Tune
• Master section for sound processing Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Microtiming
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

• VOID gives the tools to create the perfect breakbeats without the need for samplers, beat slicing, or monotonous rearranging. With just a few notes you can craft the perfect fills. Saturation, compression, and ambience are all dialed in perfectly for every kit. All you need to do is choose how much of each effect you want to rock your mix without any need for additional effects.

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 Mix Presets, optimized for classic drum machines and grooves.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 Mix presets, allowing you to transform the sound of your beats in seconds.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• The Vortex slider creates the impression of sending the beat into a vortex, whirling it around as you move the slider upwards. From a technical perspective, Vortex combines an LFO-modulated notch filter sweep with compression.

• Microtiming lets you control the speed and timing of your beats. Dial in the tempo of your host from half, to normal, to double speed.

• The Master section processes the stereo output of Beatmaker, excluding the instruments you’ve sent through individual outputs.
• It offers one-knob saturation, a loudness maximizer, an ambience selector, a sweep control for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAW’s mixer.

• Exclusive Studio One (v4.6.2 and later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you find the right styles and drums quickly and easily for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• Various styles with patterns for intro, verse, chorus, fill, and ending
• 10 professionally created drum kits
• 12 Mix presets with Beat Intensity
• Special control: Vortex
• Master section for sound processing Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Microtiming
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel and Apple silicon Macs (Rosetta and native)

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 Mix presets optimized for Hip Hop beat production.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 Mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g. to adjust energy levels between your verse and chorus.

• The Kick Pump control sends the kick drum into a sidechain compressor, creating that typical supercompressed pump where the rest of the signal bows to the kick drum.

• The Master section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through individual outputs.
• It offers one-knob saturation, a loudness maximizer, an ambience selector, a sweep control for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you find the right styles and drums quickly and easily for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 45 different styles containing 1035 different rhythmical patterns for instant song intros, fills, verses, choruses, breakdowns, and endings
• 10 drum kits
• 12 mix presets with Beat Intensity
• Special control: Kick Pump
• Master section for sound processing
• Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple Silicon Macs (Rosetta and native)

• Inspired by contemporary film and game scores, NEMESIS brings the heavy hitting rhythms of dystopian cyberpunk scenes and epic space battles. It offers a range of sounds from mysterious, dark, and cold, to explosive and intense.

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 mix presets optimized for hip-hop beat production.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• Hypercharge uses multiband distortion for a more aggressive, electrified sound. Pressurize uses multiband compression to condense the signal to make your drums cut through the mix. The effect can be driven over the top, especially in combination with the Mix presets.

• The Master section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through individual outputs.
• It offers one-knob saturation, a loudness maximizer, an Ambience selector, a sweep control for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels in your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you quickly and easily find the right styles and drums for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 30 styles and multiple patterns with intro, verse, chorus, fill, and ending
• 10 drum kits
• 12 mix presets with Beat Intensity
• Special controls: Pressurize and Hypercharge
• Master section for sound processing
• Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel and Apple silicon Macs (Rosetta and native)

• VICE comes with everything you need to create drum tracks for anything from authentic ’80s to synthwave.
• Inspired by some of the most legendary classic drum machines from companies like Linn, Roland, Simmons, and Korg, VICE turns your drum programming into a retrofuturistic adventure of epic proportions.

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 Mix Presets, optimized for classic drum machines and grooves.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 Mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• The Time Machine slider lets you travel through time. Pulling the slider down sends the beat to the ’80s and thins the sound, while pulling the slider up to 2080 makes the sound thick. Everything above 80% of the Time Machine knob creates futuristic sounds.

• The Master Section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through Individual Outputs.
• It offers one-knob saturation, a loudness maximizer, an ambience selector, a sweep control for the dual filter, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you find the right styles and drums quickly and easily for your track.
• The scale range of the styles and instruments is highlighted with a red line on the left side of your piano roll.

• 30 styles and 690 patterns with intro, verse, chorus, fill, and ending
• 10 drum kits based on legendary analog drum machines—including Linn, Roland, Simmons, Korg
• 12 mix presets with Beat Intensity
• Special control: Time Machine
• Master section for sound processing phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

• Take the precision and hypercompression of pop music and dial it up to 11. Carefully trim the tail of every sample and keep the releases tight. Editing samples to get the perfect K-Pop sound can take hours—with Idol, everything’s already done for you.

• You can now drag phrases like intros, verses, or choruses straight from the interactive UI keyboard to the Beatmaker instrument track of your DAW. This opens up a slew of creative options.

• The Mix section features a set of 12 Mix Presets, optimized for K-Pop grooves.
• Use the Amount knob for thumping lows, smooth stereo widening, slap delay, EQ carving, and many other processing methods rolled into 12 Mix presets, allowing you to transform the sound of your beats in moments.
• Use the Beat Intensity control to make quick changes—e.g., to adjust energy levels between your verse and chorus.

• The proprietary Juice control punches up the lows and highs with multiband compression and EQ for a clean, dramatic sound, with a gentle stereo spread to neatly tie everything together and add some excitement.

• The Master Section processes the stereo output of Beatmaker, excluding the Instruments you’ve sent through Individual Outputs.
• It offers one-knob saturation, a loudness maximizer, an Ambience selector, Sweep dual filter, a Maximizer, and more.

• With individual outputs, you can route any instrument or channel from Beatmaker to separate channels on your DAWs mixer.

• Exclusive Studio One (v4.6.2 and later) piano-roll integration: The names of styles and drum elements are displayed on the keys of your piano roll to help you find the right styles and drums faster and easier for your track.
• The scale range of the styles and instruments are highlighted with a red line on the left side of your piano roll.

• 20 styles and 460 patterns with intro, verse, chorus, fill, and ending
• 10 drum kits with 16 instruments each
• 12 mix presets with Beat Intensity
• Special control: Juice
• Master section for sound processing
• Phrase drag-and-drop into DAW
• Controllable via integrated virtual keyboard, MIDI controller, MIDI sequencer, or MIDI notes
• Interface is resizable to fit on small screens
• Player Sync quantizes the Beatmaker player to match the playback of your DAW
• Supported on Intel Macs and Apple silicon Macs (Rosetta and native)

Virtual Guitarist SILK is the softly spoken nylon-stringed concert guitarist of your dreams. Let the smooth and delicate fingerpicking virtuoso take you on a journey from clean and smooth sounding singer/songwriter arrangements to vivid fortissimo-style phrases, suitable for dance and pop compositions.

Perfect for all levels of music production experience, SILK’s credentials include the uncompromising sound quality demanded by professionals, whilst complete beginners will appreciate Ujam Instruments frustration-free design, allowing them to get their ideas down quickly with no previous guitar knowledge.

Perfect your tone with Ujam Instruments very own high-quality integrated amp modeling, with sounds based on handpicked vintage amps and speaker cabinets. Add the final polish with classic guitar effects including great sounding delay, chorus, and reverb.

Virtual Guitarist SILK’s sonic secret is very simple. By choosing to record a mint condition 1967 German nylon-stringed concert guitar, made by a renowned luthier with an amazing session musician at the helm, Ujam have created a virtual instrument that even top composers and musicians will find hard to tell apart from the real thing.

• Select between phrases, picking style, chords, keys, tempos, swing, timings, feel, and more
• Choose neck, bridge, or inbetween picking techniques
• Five character presets for different sounds: Rich, Full, Original, Bright, and Sheen
• Dial in fret noise, doubling, delays, reverb, and attack
• Select between five mic layouts: A, B, A+B, A/B, and B/A
• Use the Animate knob to add rich and vivid harmonics, and an airy spherical feel

Virtual Guitarist supports Native Instruments NKS. Virtual Guitarist will be mapped to Komplete Kontrol keyboards and Maschine straight out of the box, enabling you to use Virtual Guitarist with the Light Guide, Smart Play features, and the full creative potential of KOMPLETE KONTROL without any configuration hassle.

CARBON is for sound designers and musicians who go beyond borders. It’s an otherworldly guitar for game soundtracks and film scores, but can also give electronic and pop music that extra kick. It’s a wild and heavily distorted sound, yet that rawness is somehow precise, controlled, and sometimes even synth-like at the same time.

No matter how much you push the edgy digital effects, the underlying sonic textures always remain organic and raw. The instrument always remains playable and musical. This lets CARBON play perfectly alongside synths, drum machines, orchestras, and band musicians.

It is the sound of hellfire inside an Icelandic volcano and also the sensitive instrumentation aboard a lonely space station orbiting the moons of Jupiter. It is heavy and in your face when pushed, but also light and delicate when dialed down. Use it to inject an instant, controlled blast of raw power, or provide a slowly evolving momentum to build up and carry a scene.

CARBON’s Ultra Amp and Future Distortion algorithms leave no call for insane overdrive unanswered. Its innovative Layerer feature, a virtual soundstage with up to four guitarists, lets you control bigness and width from a tame mono riff to the earth-shaking quadro Wall Of Doom. 

• Select presets and tempo
• Choose between common phrases, style phrases, and play range, with single note or chord options
• Adjust Severity, Focus, Filter, and multi-FX Finisher intensity
• Use one of five Condition presets: Lobotomized, Rabid, Insane, Disturbed, and Paranoid
• Choose Single, Double, Triple, or Quadro for number of simultaneous guitars
• Use the Layerer to adjust the blending and layering of multiple active guitar players
• Dedicated knobs for Distance, Spread, and Seperation

IRON 2 is suitable for all levels of music production experience. Seasoned musicians and composers will be impressed with its sound quality. Beginners will appreciate the frustration-free design, speeding up workflows and enhancing the creative process.

Perfect your tone with classic guitar stomp box effects including great-sounding wah, delay, chorus, and reverb. Add the final polish with dedicated Finisher multi-FX.

With sounds ranging from the subtly distorted all the way to raging aggression, Virtual Guitarist IRON 2 is a versatile beast, with over 350 unique phrases in 30 different styles, featuring expertly sampled performances from a top session musician. For those that require the extra weight in their guitar parts, Drop D tuning and doubling is also available.

IRON 2 plays perfectly along with Virtual Bassist ROWDY and Virtual Drummer BRUTE. This provides you with an awesome backline band for your hard-rocking songs.

• Scroll through Styles for reaching ideal sounds in a rapid fashion
• Choose between four Character presets: Fat, Soft, Bite, and Twang
• Adjust pickup balance (Bridge and Neck) and Drive
• Control Tune, Variance, Effect (stompbox emulation), Width, Focus EQ, and Volume
• Choose between six Amp presets: Direct, Clean, Crisp, Cream, Crunch, and Metal
• Select playing with Force and Dampening, Phrases, Play Range, Play Mode, Key, Tuning, Chords, Micro Timing, and more
• Adjust Finisher FX to complete your sound

Choose one out of 30 different stomp-box combinations. These effects are before the amp, meaning that the amp and speaker section will dynamically react to your input. 

Finally, Virtual Guitarist gets a custom-designed Finisher knob. Just pick one out of 60 multi-FX chains under the hood for amazing post-amp FX like ambiences.

The majority of today’s charting tracks use electronic drum samples or highly processed combinations of sample layers. However, these samples must undergo extensive engineering to sit properly in a radio-ready mix, as they are often stale, lifeless, and difficult to manipulate. Virtual Drummer HOT provides real drum performances with punchy drum-machine-like processing to replace your sample library with more lively and energizing drum grooves.

The 30 different styles allow you to manipulate hundreds of rhythms from the most popular genres of music, ranging from hip hop and rap to indie and electronic.

Ujam has gone above and beyond by adding a 7th instrument channel to each drum kit. Unique to Virtual Drummer HOT, you can now use clap sounds to supplement your snares and accentuate your grooves.

HOT features 5 full drum kits, 6 mix presets, and 30 styles, each with 23 ready-made patterns, for a total of 690 playable phrases. 

• Select global preset, style, and BPM
• Arrange Intros, Fills, Endings, and Breakdowns, as well as Verses, Choruses, Specials, and Stops
• Choose between five Drum Kits: Boom, Wave, Vanilla, Fresh, and Brittle
• Adjust individual instruments, including a special clap-centric instrument
• Customize Decay, Tune, and Reverb amount per instrument
• Select one of six mix presets: Rich, Vintage, Smack, Live, Filter, and Space

The Juice fader offers a seamless transition from a completely natural drum variant to the archetypical sample aesthetic, much like that of the most popular drum machines. Meanwhile, each Mix Preset shapes the overall sound by swapping out an entire multi-bus effect chain for every channel under the hood, offering you completely different sound aesthetics without the hassle of wrestling with the bus system of your DAW.

Virtual Drummer SOLID 2 is your seasoned pro for sophisticated and grand productions. For all popular genres and moods, SOLID 2 provides those untouchable gold-standard drumming styles and sounds that open record label executives’ doors, hearts, and wallets.

The key to SOLID’s benchmark drum sound is in the meticulous way it was recorded. The creation of all 720 patterns started with the highest-quality ingredients right at the source with a fantastic drummer in prime acoustical space, sitting in front of a collection of desert-island drum hardware. Only then were Ujam happy to hit record, capturing each hit and phrase with a combination of premium microphones and recording chains to ensure the end results are of the highest caliber.

The versatile sound and intuitive and accessible controls mean that SOLID 2 is truly suited to any level of music production skill. Novices can get instant access to many popular musical styles and rhythmic phrases without a steep learning curve, whilst more experienced musicians and producers will delight at being able to get such great sounding results so quickly.

• Choose BPMs, Style, Latching, and microtiming
• Select between 5 distinct drum kits: Soft, Deep, Natural, Tight, and Hard
• Adjust Slam amount for different velocities and articulations
• Choose between 6 Mix presets: Smooth, Edge, Retro, Big, Power, and Crush
• Swap out instruments, edit Type, adjust tuning, decay, and reverb
• Customize master FX and select presets for a rapid workflow

Finalize and fine-tune your drum mix by individually adjusting the volume of each component of the kit including separate controls for overhead and room mics before adding a touch of reverb. Virtual Drummer SOLID 2 even lets you control the feel of the performance, allowing for pushing or pulling of the beat and adjustment of a humanize control for added authenticity.

Soul and funk dominated the music industry during the 1960s and 1970s for good reason. These styles were predominantly played by African-American musicians like Stevie Wonder, James Brown, and Marvin Gaye. Soul music took the stages, record players, and musical hearts of the world by storm, driven by iconic rhythm sections like the Funk Brothers and Booker T. & The M.G.’s.

Soul music emphasizes lyrics, vocal melodies, and vocal harmonies. You could see the roots as gospel music without the religious factor. Typical songs emphasize melody and vocals. 

Soul music is much less complex than funk music and was more commercially successful. This means soul drumming features more basic patterns with fewer embellishments.

DEEP covers not only soulful and groovy genres but also feels right at home with pop, rock, and alternative vibes. Make your production dazzling with real-world drumming performances that breathe artistic life into your track.

DEEP comes with up to 60 velocity layers per instrument. Hyper realism by Ujam’s dynamic round-robin algorithm makes your drums sound like the real thing. 

All sounds were recorded with a selection of both vintage and modern direct microphones. You get absolute mix freedom thanks to stereo pairs of overhead and room mics.

Quickly customize the sound of each of the five drum kits: Dial in some extra dirt and energy with the Grit control or by using one of our six Mix Presets, from gentle and sophisticated to fierce and powerful. 

• Select Style, tempo, latch, and micro timing
• Organize Intros, Fills, Verses, Choruses, Endings, Breakdowns, Specials, and Stops
• Choose between five drum kits: Wide, Rich, Classic, Short, and Punch
• Select and customize individual instruments in a kit, with control over Decay, Tune, and Reverb
• Chooose between six Mix presets: Gentle, Garage, Aged, Dark, Lofi, and Slam
• Adjust Master FX including Reverb, Saturate, and Maximize
• Customize mic layout with adjustable Overheads and Room mics under the Ambience section

Use the Mix presets to shape the overall sound. Each Mix preset swaps out an entire multi-bus effect chain for every instrument channel and saves you time and nerves. 

Finalize and fine-tune your drum mix by individually adjusting the volume of each component of the kit, including separate controls for overhead and room mics, before adding a touch of reverb.

DEEP plays perfectly along with separately available Virtual Bassist DANDY. While you may use DEEP on its own, the included Styles are made to match with the bass phrases in DANDY. To make joining the two easy for you, the available Styles have got matching names. Just pick the same style name in DANDY and DEEP and create perfectly aligned bass and drum backings in a breeze.

Virtual Drummer HEAVY is a forceful rock and indie specialist. For all genres from soft-pop rock ballads to Seattle-style overdrive grunge, HEAVY adds a wide range of drumming styles and sounds in your production.

With over 30 different styles containing a total of 720 different phrases, creatives form all across the musical spectrum can enjoy the 5 meticulously recorded drum kits contained within.

As with every Ujam Instruments product, HEAVY benefits from a frustration-free design philosophy meaning anyone can use this product to make music faster, better and easier, regardless of their music production experience level. Just follow the simple controls on the user interface to easily trigger different styles and rhythmical phrases to use in your tracks.

The drummer who is never late, unless you want them to be. Virtual Drummer HEAVY’s additional performance-tweaking controls mean that you can make your drummer push or pull on the beat as well as become more loose or rigid when playing.

• Choose between five distincitve kits: Open, Fat, Punch, Deep, and Hard
• MIDI drag-and-drop functions let you export patterns to your DAW
• Use the instrument channel to mix and match drum instruments from up to four different types to create your own sound
• Six mix presets help to complete your sound: HiFi, Raw, Retro, Punch, Comp, and Crush

Virtual Drummer PHAT 2 is versatile, coming with 30 musical styles containing a total of 720 different rhythmic phrases that you can effortlessly weave and stitch together. Experiment and change your sound from smooth and soulful to huge and pumping by combining any of the 5 different drum kits with 6 easily accessible and tonally powerful character presets.

Perfect for grooving funky styles, PHAT 2 is the perfect studio companion for music producers of all skill levels. The very gentle learning curve, a trademark of all Ujam instrument plug-ins, means beginners and professionals can quickly lay down amazing sounding beats with no previous drumming experience.

When you’re happy that the vibe is almost perfect, you can fine-tune the overall mix with individual volume controls for all the different elements of the kit, such as kick drum and snare.

Tweak the performance with simple controls for swing, feel, and even how human the final performance will sound. Virtual Drummer PHAT 2 really does give you groove that’s easy to craft and futile to resist.

• Export MIDI patterns to your DAW with a simple drag and drop directly to your track
• Select between five distinctive drum kits: Dry, Fresh, Deep, Hip, and Fat
• Mix and match drum instruments from up to four different types to create your own sound
• Complete your sound with six mix presets: Close, Broad, Bright, Punch, Rattle, and Pump
• Fine-tune your sound with decay, drum tuning, reverb, ambience, saturation, and more

In the early 1990s, a guitar-heavy new musical category set out to conquer the hearts and ears of the audience. A new generation of artists would unleash distorted guitars, angry drums, and bucketloads of attitude onto an audience that was suddenly keen to rock out again. 

Influenced by classic rock of the 1960s and ’70s, and in opposition to the synthetic aesthetics of the prior decade, bands like Rage Against The Machine, Nirvana, Soundgarden, and Alice in Chains popularized the next incarnation of rock music. Its playbook is still the go-to for guitar-heavy hard rocking styles.

What makes BRUTE special? First and foremost, it has been designed, recorded, and processed to do one thing really well: compete with layered walls of distorted guitars while maintaining character and detail. This was a tricky challenge. The solution was to record with three different sets of microphones that emphasize different aspects of the drum sound. 

• Click/Smack: The vintage Sennheiser MD21 from the 1960s emphasizes the attack transients. The source signal was processed with a Manley Voxbox.
• Grit/Dity: Vintage tube and ribbon overhead mics. This is where the character is captured. All the organic noise and resonances that give a warm, coarse, and natural quality.
• Clean/Nice: Modern high-spec Schoeps microphones that capture the sound as is, with as little colorization and distortion as possible, for an expensive and glossy character.

Mix Presets shape the overall sound by swapping out an entire multibus effect chain for every channel under the hood. This saves you time and nerves wrestling with the bus system of your DAW.

• Select Style, tempo, and global preset
• Latch and micro timing options
• Organize Intros, Fills, Endings, and Breakdowns, as well as Verses, Choruses, Specials, and Stops
• Edit individual instruments with custom decay, tune, and reverb amounts
• Choose one of five Drum Kits: Dirty, Noble, Prime, Tight, and Dark
• Select between several mic layouts and mixtures
• Try out one of six Mix Presets: Gentle, Slam, Bite, Crush, Bounce, and Wide

Make your drums stand out. Smack adds purposefully recorded and processed mic signals that focus attacks and transients while retaining the warm and organic qualities of the kit. With Grit, you can crossfade between two sets of mics—from nice and clean to dirty and mean.

SLAP is the wild child among Ujam’s bassists. A modern, sophisticated, and off-the-wall virtuoso. Forget about cheesy slap sounds à la Seinfeld. Driving your song with character and soul, this is the ever energetic creative live wire. 

In parallel there’s all the reliable professionalism you expect: SLAP shows up on time and lays down incredibly realistic bass lines. Best of both worlds. With SLAP you will compose impressive bass performances easily.

SLAP energizes any production with electric bass lines, but it’s particularly great on pop, funk, jazz, and rock tracks. It’s especially effective on highly rhythmical patterns and up-tempo styles.

The advanced recording and phrase techniques used in SLAP will make your heart jump with joy. It’s based on a Stingray bass with an active pick-up system which provides the spirited yet balanced character. 

The playing styles and patterns are convincingly realistic with the sophistication of a highly seasoned professional bass player. All the while, you can control this goodness with just a few MIDI notes and clicks.

• Choose between automatic Player mode and the manual Instrument mode, which gives complete access to all articulations via MIDI controller
• Adjust micro timing, latch, and BPM
• Select between common phrases, style phrases, and playing range
• Dedicated knobs for fuzz and drive amount
• Four Character presets: Strong, Sharp, Full, and Tame
• Dedicated controls for octaver, finisher multi-FX, EQ, compression, and a Drop-D switch
• Four Amp presets: Reckless, Rough, Subtle, and Direct (DI)
• Control intensity of articulations

Studio One users running on version 4.6.2 or later get the exclusive PreSonus chord and key track feature. Descriptions of styles and phrases are displayed on the piano roll to help you find the right styles and phrases faster and easier for your track. The new chord track feature in Studio One automatically follows the chords and automatically changes the MIDI notes for you.

ROWDY confidently delivers picked overdriven electric bass sounds suitable for a variety of styles, ranging from powerful punk to red-hot rock and modern metal.

It can purr, but it’s built to roar. With a hand-selected specially modified vintage bass guitar, hot amps, a fuzz box, and even an octaver. It’s dirty, loud, and ready to rock.

Designed with the Ujam frustration-free philosophy, ROWDY’s easy to use GUI and controls make it possible to achieve fantastic sounding and aggressive basslines in no time, no matter what your level of music production experience is.

ROWDY’s loud-mouthed rebellious sound and angry playing style means that even seasoned bass players themselves will appreciate the ability to get great sounding ideas down fast with practically zero learning curve. 

• Select tempo and playing style
• Latch, microtiming, and Drop D switch
• Dial in Fuzz and Drive amounts
• Choose between common and style phrases as well as playing range
• Four Character presets: Tame, Round, Fat, and Hard
• Adjust octaver, master EQ and compression, as well as 15 different Finisher multi-FX chains
• Pick between four Amp presets: Metal, Cream, Crisp, and Direct (DI)

Virtual Bassist ROWDY has two distinct modes. Player Mode lets you quickly choose from one of the 60 styles and 1380 phrases with your MIDI controller, seamlessly following in an intelligently musical way whatever key or chord is being played. The Instrument Mode is one for the keyboard wizards and opens up the entire ROWDY fretboard to be played like a traditional sampler, complete with dead notes, full stops, and even slides.

Perfect your performances and sound with Virtual Bassist ROWDY’s powerful yet simple tone-sculpting controls. Choose between a DI signal and 3 separate hand-picked amps with separate dial-in controls for overdrive and fuzzy rudeness. The character knob can then give you instant access to many useful scuzzy sonic flavors before adding the cherry on top with an octaver and a simple EQ and dynamics section.

With the new Virtual Bassist 2.1 update, Ujam will provide Studio One users running on version 4.6.2 or later with an exclusive PreSonus chord and key track feature. Descriptions of styles and phrases are displayed on the piano roll to help you find the right styles and phrases faster and easier for your track. The new chord track feature in Studio One automatically follows the chords and automatically changes the MIDI notes for you.

DANDY uses its understated charm to make you sound and feel amazing. Ujam’s meticulously sampled bass guitar with flat-wound strings has a classy, warm and restrained vintage sound that is markedly different than the more modern and in-your-face ROYAL 2 and ROWDY 2 virtual bassists. However, when paired with the included multi-effects, DANDY effortlessly delivers fantastic tones that sound right at home in both modern and vintage productions.

DANDY sounds fantastic on any production that needs electric bass, but it’s particularly great on soul, pop, blues, and rock tracks. Ujam’s custom-made DSP algorithms push the raw sound of the bass in many directions from soft, round tones (perfect for vibey old school soul and blues tracks) all the way to bright modern pop and rock. Try blending DANDY with your synth-bass lines to give them a little more life and sophistication.

DANDY is perfect for all producers of all skill levels. The fail-proof controls ensure that beginners get great-sounding results that don’t sound like canned repetitive loops. 

Skilled keyboard players can easily bypass the virtual musician features and play the bass parts exactly as they like. Everyone gets great bass in their productions.

• Select common phrases, style phrases, velocity (forceful to dampen), and playing range
• Choose variable bridge or neck playing style, drive amount, and octaver amount
• Finisher FX, EQ, and compressor adjustment
• Four character presets: Warm, Round, Natural, and Brilliant
• Easy Drop D switch
• Four Amp presets: Raw, Vintage, Cream, and Direct (DI)

Player Mode features some brilliant technology Ujam has pioneered to bring ultrarealistic bass performances into your music, even if you don’t play the bass or keyboards. There are 990 masterfully played phrases in 30 different musical styles that can be easily and seamlessly strung together to create the perfect performance for your song. These aren’t just boring MIDI loops. 

If you prefer to record your own phrases (or even bass solos), Instrument Mode gives you complete access to all articulations. This means you can use your MIDI controller to play exactly what you want with maximum creative expression (including adding dead notes, full stops, and even slides.)

The versatility of this instrument is further expanded with tons of powerful easy-to-use sound shaping options. Quickly choose from a variety of different amps and effects before dialing in the exact right character for your song. Then tweak the EQ and dynamics to really sweeten your sound and bring your production to the next level.

With the new Virtual Bassist 2.1 update, Ujam will provide Studio One users running on version 4.6.2 or later with an exclusive PreSonus chord and key track feature. Descriptions of styles and phrases are displayed on the piano roll to help you find the right styles and phrases faster and easier for your track. The new chord track feature in Studio One automatically follows the chords and automatically changes the MIDI notes for you.

MELLOW isn’t just for jazz trios, feeling equally at home adding smooth, soulful, and acoustic realism to singer-songwriter, R & B, and hip-hop styles.

At the heart of MELLOW is a meticulously recorded acoustic double bass played with soul and feel, implanted in a virtual instrument and adding realism, behavior, and a player who knows his stuff. Smooth and elegant with the odd noise here and there. At home as a subtle foundation in a jazz trio as well as a powerful second voice in hip-hop.

As with every Ujam product, MELLOW benefits from a frustration-free design philosophy, meaning anyone can use this product to make music faster, better, and easier, regardless of their music production experience level. Just follow the simple controls on the user interface to easily trigger one of over 60 styles and 1380 phrases to use in your tracks.

• Choose BPM and time signature, microtiming, and latching
• Select common phrases, force or vibrato, style phrases, and playing range
• Variable neck and bridge finger picking positions and room ambience knobs
• Five character presets: Soft, Deep, Natural, Hard, and Tight
• Octaver, EQ, and Compression knobs, plus a dedicated Drop D switch
• Four mic presets: Hollow, Full, Round, and Present
• MIDI drag and drop phrases into your DAW
• Choose from 15 finisher multi-FX modes with complex yet simple to control FX chains

Virtual Bassist MELLOW has two distinct modes. Firstly, Player Mode gives you easy access to Ujam’s traditional fail-free GUI and control set. Just set the musical key and decide on the chords of the song and MELLOW does the hard work, even intelligently choosing the most appropriate articulations to augment your basslines. 

For those that want more control and are comfortable playing the keyboard, the brand-new Instrument mode will let you access the whole of MELLOW’s meticulously sampled fretboard with your MIDI controller, complete with dead notes, full stops, and satisfying slides.

Add that final bit of sheen with MELLOW’s simple yet powerful set of tone sculpting controls with separate parameters for many useful sonic and performance-enhancing features. Experiment with amp selection, dial-in instant character changes, note vibrato level, room reverb level, and octave effects, not to mention dynamics and EQ.

With the Virtual Bassist 2.1 update Ujam will provide Studio One users running on version 4.6.2 or later with an exclusive PreSonus chord and key track feature. Descriptions of styles and phrases are displayed on the piano roll to help you find the right styles and phrases faster and easier for your track. The new chord track feature in Studio One automatically follows the chords and automatically changes the MIDI notes for you.

ROYAL 2 plays well in any musical style, but particularly acoustic and electronic songs, bands and arrangements. From a super-soft round tone for ballads to enough edge and drive to support a good rock song, ROYAL 2 provides a wide range of studio bass styles.

It starts with a hand-selected vintage electric bass, modified with the best electronics money can buy and played by a seasoned pro. Then, it’s integrated into a virtual instrument, adding realism, behavior, and a player who knows his stuff. Finally, you get the exact amps and effects that make a truly great sound.

ROYAL 2 really is suitable for anyone who wants to create great sounding bass guitar tracks regardless of their music-production skill level. The failproof controls within the Virtual Bassist series and other Ujam plug-ins ensure that beginners can quickly and easily get end results without sacrificing creative freedom and results that are never musically or technically unprofessional.

The versatile nature and range of exceptional, authentic sounds within ROYAL 2 mean that even seasoned bass players themselves will appreciate the ability to get great sounding ideas down fast with practically zero learning curve. 

• Change BPMs and Style
• Select Latch mode, microtiming, and more
• Adjust Common Phrases, Style Phrases, and play range
• Choose between four Character presets: Soft, Warm, Neutral, and Hard
• Adjust balance of neck and bridge pickups
• Control Drive amount
• Choose between four Amp presets: Rock, Soul, Pop, and Direct (DI)
• Activate Drop D, an Octaver, EQ (Vintage to Modern), and a Compressor
• Sift through 15 complex, yet simple to control Finisher FX chains

Virtual Bassist ROYAL 2 has two distinct modes. First, there’s the Player Mode, with its instant access to 60 styles and 1380 phrases via simple MIDI key commands. The smart technology behind the Virtual Bassist series means that not only will ROYAL 2 automatically follow the key and chord you play, it will also intelligently select the most musical bass articulations available to support your tracks. 

For those with keyboard skills and an adventurous spirit, the brand-new Instrument Mode will let you access the full span of this meticulously sampled bass guitar with your MIDI controller, allowing for greater creative expression including adding dead notes, full stops, and even slides.

With the new Virtual Bassist 2.1 update, PreSonus provides Studio One users running version 4.6.2 or later with an exclusive PreSonus chord and key-track feature. Descriptions of styles and phrases are displayed on the piano roll to help you find the right styles and phrases for your track faster and easier. The new chord track feature in Studio One automatically follows the chords and automatically changes the MIDI notes for you.

• 60 versatile multi-effect modes divided into Track, Instrument, Drums, and Vocals categories to speed up your workflow.
• 200+ included presets.
• Loop control, intuitive Flip button, and Vari controls custom-tailored to each mode.
• Pair BOOST with Usynth Euphoria and Beatmaker HYPE (both available separately) for huge anthems and festival bangers.

• Sync to your DAW’s grid and choose phrase lengths of 2, 4, or 8 measures. Choose which beat hits maximum intensity, and let it run; everything else is done for you.
• For total control, go manual, and freely automate the Finisher knob position in your DAW.

• Create perfectly synced swells, downlifters, impacts, and more in moments without diving under the hood.
• BOOST tracks the playhead position of your DAW, so that no matter where you start, the effect will always hit the same bars at the same time.

• Crank it up for more of everything, or turn it negative to filter the dry signal into oblivion and print only the post BOOST signal.

• Set your loop length or manually play the whole thing—you have complete control over the dramatic arc of everything you make.

Your source of inspiration for live guitar playing, virtual instruments like the Virtual Guitarist series, or whatever you dare to try. Make your sound float, rumble, glow, and scream. Add VOODOO to anything for organic warmth, magical textures, or just a dash of inspiration.

VOODOO creates a world of organic, distorted, spicy, colorful, and often magical and dark textures. Ujam’s expertly crafted effect chains are full of delightful surprises. From high-gain lead to strummed acoustic or bluesy crunch tone, there are plenty of options to enhance every style.

If you’re already using amp and stomp-box emulations, you’ll find VOODOO to be a perfect companion. It provides instant inspiration that you can dial in and customize in seconds, so you never lose focus of your music.

Finisher VOODOO features 50 carefully sound-designed effect configurations and more than 150 presets combining 40 distinct algorithms. Everything from convolution and modulation to dynamics, distortion and EQs, and even multiband to granular and twisted effects. 

Five macro knobs give you full sonic control. Direct, live, and intuitive. Play with pedals or knobs, and automate to your heart’s content. Create musically stunning dynamic shifts and make every effect your own.

• Select modes and presets
• Adjust Sharpness and Modulation with Vari 1 and Vari 2
• Tweak Filter Decay for ambience with Vari 3
• Use Vari 4 to adjust the Highlighter circuit and make your track fit perfectly in a mix
• The big Effect/Comb knob makes it easy to adjust multiple parameters simultaneously
• Dedicated controls for input and output gain

With VOODOO’s Variation controls you adjust musically useful changes to the current Mode. Switch delay times, set EQ characteristics, change distortion curves, and much more, often at the same time. 

All VOODOO Modes come with Ujam’s proprietary Highlighter. Highlighter sports a combination of low- and high-pass filters to place your track exactly where it belongs in the mix.

NEO stands for forward-thinking and bold exploration of new frontiers, and that’s exactly what this plug-in is all about. It’s the first of its kind in the world, and a sheer endless source of inspiration for modern, epic, action-packed, and thrilling audio effects.

Finisher NEO comes with 50 carefully designed effect configurations built from 27 different algorithms, from Grain Pitch to Multiband Distortion, from simple Stereo Delays to Convolution. Three macro knobs give you full control without the hassle. Tweak or automate the Effect knob for musically stunning sonic shifts, and adjust Vari 1 to 4 to make every effect your own.

• Select your global preset
• Sift through different specific FX chains
• Adjust dedicated Variation knobs for presets
• Dedicated input and output volume controls
• One big knob for controlling several parameters at once

The Variation 1 knob lets you adjust musically useful changes to the current Mode. Switch delay times, set EQ characteristics, change distortion curves and much more, often at the same time. Most Finisher NEO effects come with matching ambience, and the Variation 2 knob lets you change its mix, length, character—whatever puts your track where it belongs in the mix.

Accelerate, modulate, agitate, swirl, and catapult your sounds without restraint. With more than 50 individual effect Modes, you’ll never run out of possibilities. 

If you want to tinker with sonic shaping, stereo modulation, signal polishing, and deadly degradation, FLUXX gives you the perfect interface to unleash your favorite experiment.

It’s time to throw every detail of your sound into sharp relief. You control size, heat, ambience, and other elements with potent precision. But even the best producers will never know how you did it, putting you on the bleeding edge of mad sound design.

Nothing slaughters creativity faster than a patch cord eyesore. With FLUXX, all the complex routing is safely hidden away, so you can stay laser-focused on sound design. 

Every Mode is carefully preset, so that you can have maximum flexibility without spending hours just on learning a new interface. You can plot and scheme to your heart’s content, without ever being slowed down by excessive controls.

• Select one of 50 global presets
• Adjust the big Finisher knob for sweeping changes to effects
• Use the four Variation knobs to refine FX stacks further with things like Depth, Length, Tone, and Shape
• Control input and output volume

Dial up the saturation, delay, doubletracking, phasing, depth, darkness, and more with the Finisher knob, and listen as your audio devolves into an entirely new soundscape. This magic knob reacts differently with every preset—sometimes with grace, sometimes with rage. 

For more surgical precision, four individual macro controls control separate effect clusters. Only the bold dare touch these, as most of the time you’ll conjure up more chaos than you can handle simply by changing presets and dialing the Finish knob up to max.

RETRO is so much more than just one effect. Each of its modes is a web of up to 20 interconnected sound modules. It’s like having a huge pedalboard and rack of studio gear with everything set just right.

Finisher RETRO’s modes are presented in decades, from the ’60s to the ’90s. Each mode is carefully crafted by Ujam sound designers to give you an authentic snapshot of a great sound from that decade.

Don’t worry, you’re never stuck with RETRO’s presets. The Finisher and Vari knobs let you easily push each preset in different directions from light and subtle to in your face.

• Select an era and preset for an endless array of inspiration
• Dedicated knobs for mode selection, rate, grit, and color
• Finisher knob makes adjustment of presets a cinch
• Individual input and output gain adjustment

Create your music without overthinking. Pick any inspiring preset and get to work instantly. Presets have dozens of processors under the hood, but it’s all controlled with one glorious knob.

Finisher DYNAMO comes with 50 carefully designed audio effect configurations built from 27 different algorithms—from Step Filters to Multiband Distortion, from simple Delays to Convolution Reverb, and many more.

The five categories of Modes in DYNAMO were programmed with specific use-cases in mind. Just pick a preset from a category and fine-tune to your delight: 

• Remix: Designed to be used on full tracks and mixes for immediate remixing potential
• Solo: For use on basses and other single-voiced sounds
• Rhythm: Optimized for use on drums and percussion
• Sustain: Ideal for use on pads and sounds that are rhythmically static
• Vocal: Generate vocal chops and glitches from your own vocal tracks

• Extensive collection of world-class string-section phrases from Hans Zimmer’s collection—no string-arrangement skills required.
• 60 playing styles.
• Powerful performance and sound-design engine with 200+ sound-designer presets.
• Recorded on one of the world’s leading scoring stages, played and recorded by some of the world’s best musicians.

• The Highlighter knob is a multimode 24 dB synthesizer filter specifically optimized for creating juicy risers and intros. Turn the knob left for a low-pass filter, turn right for a resonant high-pass.

• The custom-built Finisher effect section is a one-knob sound-design delight. Transform the character of your STRIIIINGS track to match any genre or mood.

• Descriptions of styles and phrases are displayed on the piano roll to help you find the right ones for your track.
• The chord track feature in Studio One automatically charts the chords you play and modifies the MIDI notes for you.

• Extensive collection of world-class drum and percussion phrases from Hans Zimmer’s collection.
• 53 Styles with 23 ready-made phrases each, for a total of 1219 unique phrases.
• Each Style includes 5 custom-tailored one-shot hits and metals, so you can further customize the phrasing of the Style in real time.
• Powerful performance and sound-design engine with 300 sound-designer presets.
• Recorded at Hans Zimmer’s Remote Control Studios, produced by Boris Salchow.

• The custom-built Finisher effect section is a one-knob sound-design delight. Transform the character of your DRUMS track to match any genre or mood.

• Conduct your brass section with the crossfader. DRUMS is made up from two independent low and high sections. Seamlessly blend between them or add subtle variations using automation.

• Extensive collection of world-class instruments including French horns, trumpets, trombones, cimbassos, and tubas.
• 78 Styles with 6 ready-made phrases each, for a total of 468 unique phrases.
• Each Style includes 4 custom-tailored one-shot additions, so you can further customize the phrasing of the Style in real time.
• Powerful performance and sound-design engine with 250+ sound-designer presets.
• Recorded at Hans Zimmer’s Remote Control Studios, produced by Boris Salchow.

• The custom-built Finisher effect section is a one-knob sound-design delight. Transform the character of your BRAAASS track to match any genre or mood.

• Conduct your brass section with the crossfader. BRAAASS is made up from two independent low and high sections. Seamlessly blend between them or add subtle variations using automation.

Groovemate ONE quickly and easily spices up your tracks with that important feel. Just select one of the ready-made phrases and adjust them to your needs. Or, play the contained instruments yourself directly via MIDI input.

The secret of the vibe-machine: Percussionists often use sophisticated patterns that work against or around the basic beat and emphasis, such as 3-over-4, and syncopations. Playing or programming these yourself might be tricky unless you’re a percussionist yourself. With Groovemate ONE, you can just browse through the presets and pick what works for you.

• Pick a preset, complete with useage descriptions
• Choose instruments, including Shaker, Claps, Tamourine, and One-Shot Shaker
• Adjust Mix and Ambience presets
• Activate Latch mode
• Control output volume
• Manually hit instruments and fills
• Activate automatic phrases for a rapid workflow

Create your music without overthinking. Pick any inspiring preset and get to work instantly. Trigger patterns that are instantly and perfectly in sync with the rest of your session.

• Usynth features a Sequencer that can act as an arpeggiator and polyphonic phrase player as well. With the Sequencer, you can play the Synthesizer in ways that animate and add rhythmic effects to your note or chord input.

• The Finisher function adds creative effects that enhance the sound of your synth including creative degradation (distortion, saturation, bitcrushing), filtering, animation (chorus, flanger, phaser), artificial ambience (delays or reverbs), or combinations of all of those.

• All three sections of Usynth, Sequencer, Synthesizer, and Finisher come preloaded with ready-made presets (up to 90 Single, Dual, and Quad presets are included). Just browse, mix, and match to build your own sound within seconds.

• Usynth Deluxe features a built-in reverb unit that’s simple to set up, yet super flexible. From a small echo chamber to huge cathedral-style rooms, just select an Ambience preset and adjust the amount.

• To get a detailed explanation of the Sequencer section’s key switches, click the little keyboard symbol to the right of the keyboard.

• Each Usynth instance consists of 2 individual layers per note.
• A layer can be fully polyphonic with the number of voices only limited by your CPU performance, or monophonic/legato. It also features various glide modes.
• Each layer features between 1 and 7 oscillators of multiple synthesis types: Virtual Analog, Wavetable, FM, and Multisample in flexible combinations.
• The voice architecture of each layer consists of a Multimode Filter, two 5-stage envelopes,  a Mod Envelope, multiple LFOs, a 12-way mod matrix, plus a large macro knob page connecting the engine to the Dark/Bright, Fast/Slow, and Smart Knobs.
• Every layer also offers parametric EQs, multimode filter overdrive, multiple distortion/degradation algorithms, modulation effects, and convolution modules—there’s almost no limit to your imagination.
• The Finisher adds a multieffect engine with up to 100 effect presets.
• The Sequencer is a powerful fully customizable sequencer/arpeggiator/phrase player.

• Bringing more than four decades of experience, Peter Gorges, chief sound designer behind Core, is a revered industry-veteran who has contributed to several milestones of synthesizer history. This is his collection of must-have synth aesthetics.

• The Chord function lets you play 1-finger chords with one key creating an entire chord. Click under the Chord label to open a menu of available chords.

• Each Synthesizer preset in Usynth has been set up with the modulation deemed the most useful by the sound designer. You can dial it in using a modulation controller/wheel on your keyboard.

• Usynth features a Sequencer that can act as an arpeggiator and polyphonic phrase player as well. With the Sequencer, you can play the Synthesizer in ways that animate and add rhythmic effects to your note or chord input.

• Usynth features a built-in Delay unit that’s easy to to set up, yet superflexible. Simple and complex delay configurations are provided—so, all you have to do is select a Delay preset and adjust Mix and Feedback.

• The Finisher function adds creative effects that enhance the sound of your synth including creative degradation (distortion, saturation, bitcrushing), filtering, animation (chorus, flanger, phaser), artificial ambience (delays or reverbs), or combinations of all of those.
• Up to 90 Single, Dual, and Quad presets are included.

• Each Usynth instance consists of 2 individual layers per note.
• A layer can be fully polyphonic with the number of voices only limited by your CPU performance, or monophonic/legato. It also features various glide modes.
• Each layer features between 1 and 7 oscillators of multiple synthesis types: Virtual Analog, Wavetable, FM, and Multisample in flexible combinations.
• The voice architecture of each layer consists of a Multimode Filter, two 5-stage envelopes,  a Mod Envelope, multiple LFOs, a 12-way mod matrix, plus a large macro knob page connecting the engine to the Dark/Bright, Fast/Slow, and Smart Knobs.
• Every layer also offers parametric EQs, multimode filter overdrive, multiple distortion/degradation algorithms, modulation effects, and convolution modules—there’s no limit to your imagination.
• The Finisher adds a multieffect engine with up to 100 effect presets.
• The Sequencer is a powerful fully customizable sequencer/arpeggiator/phrase player.

• In the Synthesizer section, there are two hardware and three software knobs. Ujam’s sound designers have mapped each of these knobs to multiple destinations inside the engine, exposing only the most musically useful parameters for any given preset.

• Usynth features a sequencer that can act as an arpeggiator and polyphonic phrase player as well. With the sequencer, you can play the synthesizer in ways that animate and add rhythmic effects to your note or chord input.

• The Finisher function adds creative effects that enhance the sound of your synth including creative degradation (distortion, saturation, bitcrushing), filtering, animation (chorus, flanger, phaser), artificial ambience (delays or reverbs), or combinations of all of those.
• Up to 90 Single, Dual, and Quad presets are included.

• Each Usynth instance consists of 2 individual layers per note.
• A layer can be fully polyphonic with the number of voices only limited by your CPU performance, or monophonic/legato. It also features various glide modes.
• Each layer features between 1 and 7 oscillators of multiple synthesis types: Virtual Analog, Wavetable, FM, and Multisample in flexible combinations.
• The voice architecture of each layer consists of a Multimode Filter, two 5-stage envelopes, a Mod Envelope, multiple LFOs, a 12-way mod matrix, plus a large macro knob page connecting the engine to the Dark/Bright, Fast/Slow, and Smart Knobs.
• Every layer also offers parametric EQs, multimode filter overdrive, multiple distortion/degradation algorithms, modulation effects, and convolution modules—there’s no limit to the sound designers’ imagination.
• The Finisher adds a multi-effect engine with up to 100 effect presets.
• The Sequencer is a powerful, fully customizable sequencer/arpeggiator/phrase player.

• Usynth features a sequencer that can act as an arpeggiator and polyphonic phrase player as well. With the sequencer, you can play the synthesizer in ways that animate and add rhythmic effects to your note or chord input.

• The Surprise function in Usynth is designed to create random variations of adjustable depth. Everything can be affected by the randomization—every control and button, including the preset selections for the sequencer, synthesizer, and Finisher.

• For soloing and effects you can bend Usynth’s pitch using a MIDI controller, usually a wheel. Each Synthesizer preset in Usynth has been set up with what the sound designer deemed the most useful modulation.

• The Finisher function adds creative effects that enhance the sound of your synth including creative degradation (distortion, saturation, bitcrushing), filtering, animation (chorus, flanger, phaser), artificial ambience (delays or reverbs), or combinations of all of those.
• Up to 90 single, dual, and quad presets are included.

• Each Usynth instance consists of 2 individual layers per note.
• A layer can be fully polyphonic with the number of voices only limited by your CPU performance, or monophonic/legato. It also features various glide modes.
• Each layer features between 1 and 7 oscillators of multiple synthesis types: virtual analog, wavetable, FM, and multisample in flexible combinations.
• The voice architecture of each layer consists of a multimode filter, two 5-stage envelopes, a mod envelope, multiple LFOs, a 12-way mod matrix, plus a macro page connecting the engine to the Dark/Bright, Fast/Slow, and Smart controls.
• Every layer also offers parametric EQs, multimode filter, overdrive, multiple distortion/degradation algorithms, modulation effects, and convolution modules—there’s no limit to the sound designers’ imagination.
• The Finisher adds a multi-effect engine with up to 100 effect presets.
• The sequencer is a powerful, fully customizable sequencer/arpeggiator/phrase player.

• Usynth features a Sequencer that can act as an arpeggiator and polyphonic phrase player as well. With the Sequencer, you can play the Synthesizer in ways that animate and add rhythmic effects to your note or chord input.
• Set the Sequencer’s note rate relative to your host’s tempo. Turning the knob up gradually steps up the rate—the inbetween note resolution values are shown below the knob as you turn it.

• The Finisher function adds creative effects that enhance the sound of your synth including creative degradation (distortion, saturation, bitcrushing), filtering, animation (chorus, flanger, phaser), artificial ambience (delays or reverbs), or combinations of all of those.

• All three sections of Usynth, Sequencer, Synthesizer, and Finisher come preloaded with ready-made presets (up to 90 Single, Dual, and Quad presets are included). Just browse, mix, and match to build your own sound within seconds.

• Usynth Euphoria features a built-in reverb unit that’s simple to set up, yet super flexible. From a small echo chamber to huge cathedral-style rooms, just select an Ambience preset and adjust the amount.

• Usynths’ browser adds a lot of flexibility to the browsing experience. While in the Browser, you can click Title icons to switch between Usynth Titles, all while your last state (before entering the browser) is retained. If you switch a Title and load the preset afterwards, Usynth will switch to the new Title, interruption free.

• Each Usynth instance consists of 2 individual layers per note.
• A layer can be fully polyphonic with the number of voices only limited by your CPU performance, or monophonic/legato. It also features various glide modes.
• Each layer features between 1 and 7 oscillators of multiple synthesis types: Virtual Analog, Wavetable, FM, and Multisample in flexible combinations.
• The voice architecture of each layer consists of a multimode filter, two 5-stage envelopes, a mod envelope, multiple LFOs, a 12-way mod matrix, plus a large macro knob page connecting the engine to the Dark/Bright, Fast/Slow, and smart knobs.
• Every layer also offers parametric EQs, multimode filter overdrive, multiple distortion/degradation algorithms, modulation effects, and convolution modules—there’s almost no limits to the sound designers’ imagination.
• The Finisher adds a multieffect engine with up to 100 effect presets.
• The Sequencer is a powerful, fully customizable Sequencer/Arpeggiator/Phrase player.

From Stevie Wonder to Jordan Rakei, entertainment greats of all eras knew how to harness the magic of electric keys. Follow into their footsteps with VIBE. 

Convert your idea into a great-sounding musical track easily. VIBE is great if you’re an experienced player looking for inspiration. Or, it’s even greater if you can’t play the piano, because now you can.

VIBE is a professional session player well-versed in a range of musical styles. This virtual musician can contribute rhythmic tracks as part of a band, accompaniments for singers and instrumentalists, or simple but appealing solo passages and instrumental playbacks. 

Just pick and choose from 40 styles, trigger the phrases, and adjust to fit. Adjustable player key range, busyness control, and variations allow you to create live, organic, varying performances with ease.

VIBE is first and foremost a perfectly produced electric piano with pristine full-bodied sound and lots of dynamics. It’s based on a legendary instrument from the 1960s whose brand name has become synonymous with this type of sound. 

Its warm, mellow character has been immortalized by jazz, funk, and soul musicians. Its versatility and timeless character have made it an instrument of choice for many different genres and artists, making it an iconic and influential instrument in music.

Realistic piano tracks can be hard to come by. With VIBE, it’s fast and easy. Play freely in Instrument mode or let VIBE do the playing for you in Player mode.

• Choose one of the 150 intuitively organized global presets
• Select one of five Character presets: Soft, Round, Bell, Bark, or Hype
• Activate and customize Finisher multi-FX chains
• Add Ambience FX and dial in the amount
• Use the Dark/Light fader to fine-tune the keyboard tone
• Pick a style and tempo for the Player mode
• Choose custom chords, keys, and voicings
• Adjust Velocity and Busyness

Effortlessly switch between different aesthetics for any occasion. Choose a Character mode: The warm and mellow settings are amazing for jazz, funk, and soul, while the brighter bell-like attack, and barkier settings complement hip-hop, rock, and EDM. Together with the customized Finisher Modes, this creates a huge palette of perfectly engineered electric piano sounds. 

Set the key of your song for VIBE to unleash its full potential. The Player mode will play more varied and custom-tailored phrases and harmonies with a key set.

VOGUE is a professional session player well-versed in contemporary musical styles. This virtual musician can contribute rhythmic tracks as part of a band, accompaniments for singers and instrumentalists, or simple but appealing solo passages and instrumental playbacks. Just pick and choose from 30 styles, trigger the phrases, and adjust to fit.

From Elton John to Alicia Keys, entertainment greats of all eras knew how to harness the magic of eighty eight keys. Convert your idea into a great-sounding musical track easily. 

VOGUE remains under your control and serving your creativity. This is great if you’re an experienced piano player looking for inspiration to quickly produce outlines, but it’s even greater if you can’t play the piano, because now you can.

VOGUE is first and foremost a modern and perfectly produced grand piano. It’s based on a legendary Austrian large concert grand piano, a gold-standard in studio and stage sound. 

Tuning and setup were customized for pop and rock. It’s punchy and crispy, with a pristine full-bodied sound and lots of dynamics. VOGUE can hold its own within a band.

Realistic piano tracks can be hard to come by. With VOGUE, it’s fast and easy. Play freely in Instrument mode, or let VOGUE do the playing for you in Player mode.

• Choose your global preset, style preset, and tempo
• Select distinct keys and chords for easy one-finger playing
• Adjust velocity and busyness for a more organic sound
• Select between five character presets: Emotion, Ballad, Concert, Power, and Plastic
• Choose Finisher multi-effects chain presets and ambience effect presets for instruments or the master bus
• Shift between a dark or light piano sound, or anything inbetween

Effortlessly switch between different aesthetics for any occasion. Choose a Character preset from soft intimate sensual ballads to intense ’90s house stabs. Together with the piano-optimized Finisher Modes, this creates a huge palette of perfectly engineered piano sounds. 

You can also set the key of your song for VOGUE to unleash its full potential. The Player mode will play more varied and custom-tailored phrases and harmonies with a key set.